The film is about the hot war summer of 1944. A group of several gun crews defends a tiny bridgehead on the right bank of the Dniester. The fates of the main characters: the front-line soldier-battalion commander Babin, the young lieutenant Motovilov, the nurse Rita Tamashova and the rank-and-file gunners, soldiers, among whom are brave people, faint-hearted and scoundrels, unnoticed heroes, are shown in a setting of several hours of peaceful life before another violent attack of the enemy, after which not everyone will survive...

Based on the play of the same name by Boris Rymar.

The story of Samuel de Champlain's futile search for a passage to China in North America and his later founding of Quebec.

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

Twenty-four hours in the story of the British Railways Channel ferryboats, the 'link spans' directly joining the roads and railways of Britain with those of France and all the Continent. The Lord Warden laden with an assortment of road vehicles from Dover, and the Night Ferry from Newhaven carrying passengers bound for Paris, Vienna or Rome are two of the ferries illustrated in this film; and freight is not forgotten.

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A unique story of a small urban community of Native Hawaiians and the women who championed for their rights to their land against all odds.

In the Faroe Islands, a married woman meets a reporter filming a documentary on overseas Filipino workers, which soon sparks a complicated love story.

South Tyrol, 1961: Paul was hoping to escape the confines of his village and study painting. But because his older brother Anton is a wanted terrorist, he’s forced to stay at the farm and help Anton’s wife, Anna, and their son. As Paul is drawn into a vortex of violence and toxic masculinity, Anna struggles with the radicalization of her husband and the patriarchal structures in place at the time.